At the Movies

 

I wouldn’t know an Oscar-bound film from a box office bomb, but I do know a thing or two about comfortable chairs. My totally subjective ratings of OC theaters follows.

 

By Terence Loose

 

A

 night out at the movies is akin to a night out dining: the ambiance means as much as the fare served up. Don’t get me wrong; just as a five-star setting and Limoges china can’t make a corndog taste like prime rib, a great movie house can’t make a bomb watchable – even a huge screen, reclining stadium seating and Dolby Digital won’t save Madonna’s Swept Away. But a supreme theater can make a good movie great, and a great movie seem like an Oscar shoe-in.

Then there’s the surrounding experience, and I’m not talking sound. It’s whether there’s a nice ice cream stand or cozy bar nearby to discuss that film you just saw. Or shopping for a rainy day. All this is why it’s every bit as important to choose wisely where to view as it is to choose what to view.

So over a span of a few weeks I conducted a totally unscientific examination of eight Orange Coast theaters, and one exceptional L.A. theater as a sort of barometer. In this concentrated campaign, I came away not only with ratings, but a few good movie-going rules to follow. First, avoid the concession stand at all costs, or it will cost you a lot. The last time I saw a $3 ice cream I was on the Champs Elyseés in Paris, and I can only assume the $3.50 hot dog is made from mashed filet mignon.

Second, getting an unobstructed view of the screen in a non-stadium-style theater around here is like playing Masters-level chess. First, arrive early. Second, watch the “board” develop until you have an opportunity at a seat that accomplishes the most out of the following: two rows behind a tall man; between two couples with a buffer of two seats on either side; two rows in front of a short little old lady. This virtually insures you of no one sitting in front, beside, or behind you. Unless of course, you draw that unholiest of movie-goers: the tall cowboy, who sits in the seat directly in front of you and won’t take his hat off even in a dark theater, shakes his Skittles, slurps his Coke and neglects to turn his cell phone off. (Yes, that was me, Tex.)

Lastly, if you go to a matinee when crowds aren’t a problem, arrive half an hour after the listed show time and skip the commercials. Let me say a few things here. One, there was a commercial for a TV show, I repeat, a TV show, at a movie. That’s just wrong. Next, I don’t know about you, but I knew enough about puppets at age five; I don’t need anything more on that, thanks. I won’t describe any more, let’s just say I won’t be purchasing anything from Pontiac, Audi, VW, or Fandango, whatever the hell that is. Finally, what I take as an especially hypocritical attack is the one advertising “Gratitude.” I mean, this is the thanks I get for paying nine dollars to get in so I can pay another $3.50 for a Frutopia?

Now, I tried not to let any of the above personal views skew my judging, but of course they did. So I’d like to hear any feedback you have to offer. Here’s the scale: Four stars: a classic experience. Three stars: you’re entering the B-list. Two stars: Look at the bright side: you finally found a babysitter and got out for an evening. One star: Think Waterworld.

 

The Irvine Spectrum 21

Irvine Spectrum, where the 5 and 405 meet

3 1/2 stars

If Mr. Edwards had used this grand space to build, say, 10 theaters and the IMAX, the place would have garnered at least four stars. But, as they say in Hollywood, it’s called movie business for a reason. So more screens means more ticket sales, even though there are fewer seats. But enough of the negatives, there are positives, namely four big ones, in the four “Big Houses.” These are huge theaters with huge screens and stadium seating. Named The Egyptian, The Palace, The Chinese, and The Hollywood, they live up to the grandeur of their names; in fact, they’re so big, they actually feel like stadiums. Each has about 580 seats as opposed to the other theaters in the Spectrum that hold anywhere from 146 to 218. I saw the Eminem bioflic 8 Mile in The Egyptian and though I recognize Mr. Em’s right to say what he wants I’m not into rap (I’m a father now), and wish Eminem would shut up and go back to the trailer already (Did I mention I’m a father?), I did find myself enjoying my time at this theater. So it must be nice. One more complaint, however: Do we really need combo junk food meals at the concession stand that run up to $13.50?

Much better to hold your appetite for after the movie. The Spectrum has no less than 25 dining experiences, from Johnny Rockets (I’m willing to bet a burger, fries and a shake is more nutritious than any three things from the theater) to the new Asian restaurant Thaifoon.

Prices: Adult $9

 

AMC 30 at the Bloc

The City Drive, North of the 22

2 1/2 stars

That’s right, thirty theaters. Looking at the billboard of what was playing reminded me of the TV Guide: 500 channels playing 499 crappy shows and a “Seinfeld” rerun (in fact, Seinfeld’s Comedian was playing at the Bloc). I bought a ticket for Barbershop, a film I was prepared to dislike.

Once inside, finding the theater proved an almost surreal experience. The long corridors with arrows pointing to theaters 1-10 or 17-28, gave me the feeling of walking through an international airport. Huge black and white photographs of Hollywood luminaries papered the walls – a six-foot tall Clint Eastwood head, a close-up of Steven Spielberg’s right cheek. I felt like I was searching for a gate from which to embark on a journey into the Twilight Zone.

When I did find my theater, number 11, all the voluminous promise shrunk away. The screen seemed barely bigger than the murals and the seats, while stadium style, were not as plush as those further south. The one consolation was that I loved the movie (that probably accounts for the half star).

The final insult: The Bloc charges a dollar more than most other places – $9.50 for general admission, $7.50 for a matinee.

The surrounding entertainment at The Bloc does make up for the theater size, however. And in the interest of fairness, I should say that I seem to be the Grinch in this situation, as most people I run into sing high praise for the Bloc and its theater. True, as a day or night out destination, it does offer a lot. First, it’s outdoors, always a bonus. Second, The Bloc offers something for everyone, from monolithic-surf shops to fine dining. There’s even a skate park so the kids can burn energy while you take in a romantic comedy.

Prices: Adult $9.50

 

Metro Pointe Stadium 12

Across Bear Street from South Coast Plaza

2 1/2 stars

This place reminds me of the Yogi Bera-ism, “It’s so crowded nobody goes there anymore.” I have never gotten into a big movie after five p.m. at Metro Pointe. I have never gotten into a weekend showing. I have never seen the box office without an impenetrable swarm of teens buzzing around it. For this article I tried on a sunny Sunday afternoon, a time when I figured most would be at a park or beach. After 15 minutes of searching for a parking space I gave up – and spent another 15 minutes fighting my way out of the parking garage.

I returned the following Monday afternoon, Veteran’s Day, at two, and nabbed a ticket for Ghost Ship. Santa Claus 2 was sold out, with an already long line headed by a guy sitting on a plaid blanket and playing cards with his kids.

Once inside, a manager assured me that the theater does have some mellow times. I assumed he meant Wednesdays at 11 a.m. Metro Pointe’s lobby is not big, but it feels enormous thanks to walls of mirrors. I got a good chance to check out every aspect of my new haircut as I found my way to theater number 2, a stadium-seating hall with, as I counted, about 170 seats. Compared to Spectrum’s 550-plus seat Egyptian, it seemed confined, but this had a bit of an up side: the screen loomed huge in front of me. Of course, this, in turn, had a bad side: I was not to miss a single nuance of Ghost Ship.

The one redeeming quality of Metro Pointe is that it is kid-and-teen friendly. Of course, it is somewhat dependent on the movie, but if you are worried about your kids bothering other moviegoers, bring them to Metro Pointe, they’ll blend right in. If you can get in, that is.

Prices: Adult $9.50

 

Park Place 10

Jamboree Blvd. at Michelson

3 stars

This, to me, is the antithesis of Metro Pointe. I have never not gotten into a movie at Park Place. I have seen movies in their first week on a Saturday night. Yes, I can prove that. Park Place is the secret spot of theaters (sorry for outing it, fellow Park Place goers), a moniker that seems to fit its retro architecture. It’s interesting that Park Place built its façade in a sort of bowl, in order, I assume, to provide a vast gathering spot for crowds of movie-watchers to relax and decide on a film. And I say it is one of the theater’s best features, because it’s one of the few spots on the Orange Coast with any elbow room.

Park Place’s theaters are nothing spectacular; the single-story construction (there is an upstairs portion, with bathrooms and the projection rooms) won’t allow stadium seating and the theaters are not huge – approximately 150 to 270 seats. But for some reason they seem bigger. Maybe it’s the lack of frenzied seat finding that most other venues demand. I don’t know. I do know that I go to movies to escape, relax, enjoy, and Park Place is just retro and mellow enough to help me do that.

Prices: Adult $9

 

University Town Center

Campus Drive across from UCI

3 1/2 stars

Three and a half stars! you’re yelling at this page right now. I know, Edwards University is nothing special. In fact it seems to go out of its way to be very Irvine-like and blend in to its surroundings.

Except in one respect. Here is the lineup for the week I visited: Shanghai Ghetto; Flipside; Tully; Real Women Have Curves; Bowling four Columbine; The Man From Elysian Fields. With that kind of intelligent stuff playing, I have no idea how this theater makes money. It probably doesn’t, and is carried by the crowds of Jackass viewers at Big Newport and Spectrum. In fact, even the Regal Entertainment Group (the company that now owns the Edwards chain) newspaper ads seem to warn you to notch up your sophistication meter: Edwards University 6, along with Edwards South Coast Village 3, are listed under “Cinema Art” instead of a city.

Which is why at Edwards University, you can usually see a film in peace, with an unobstructed view of the screen, despite the fact that there is no stadium seating and relatively modest theater sizes, about 200 by my unscientific count. Comfort is a little more difficult, as the burgundy theater seats are small and a bit stiff. Usually, though, the film will take your mind off this. I saw The Man From Elysian Fields, admittedly the most mainstream offering, but one that was only playing at a few theaters locally. That alone should have prepared me for the fact that it’s a really good film. It’s appropriate that this theater is across from a public school: a modest structure that most ignore with intelligent happenings inside. It’s also the only place I saw Frutopia on sale, for $3.50.

Prices: Adult $9

 

The Bridge Cinema DeLux

6081 Center Drive, L.A.

4 stars

And I even took a half star away for being 45 miles north of us, in Los Angeles. But if you really want to enjoy a movie experience, take a day off and venture north (traffic makes an evening outing out of the question). The 106,000-square-foot Bridge opened in July of last year with 17 theaters, including an IMAX. And though all are nice, featuring stadium seating and Dolby Digital Surround-EX Sound, the three Director’s Halls are the reason for the trek (and the four stars).

The Director’s Halls feature 25-inch ultra leather seats in a stadium setup. At the theater lobby concierge desk, a business-attired attendant held out a seating chart for me to pick my seat – they’re numbered. Then, another attendant led me to it. As I sunk into the soft leather I almost believed I was boarding a first class flight – then I remembered I didn’t know what that felt like. You do pay a little more for the niceties – $11 for a matinee and $14 for a weekend night – but if you sneak in your Coke and candy it more than makes up for it.

Or you can just wait till after the movie to snack, at the very retro airport-like (in a good way) lounge, called The Lounge. It features very non-movie theater menu items and prices: a Grilled Chicken Caesar Salad goes for $7.95. Let’s hope this movie thing catches on, so The Bridge will come south a little.

Prices (Director’s Halls): General for Monday – Thursday $13; Friday – Sunday $14; Matinee $11

 

Big Newport 6

300 Newport Center Drive

3 1/2 stars

This would easily get four stars if you could get anywhere near it other than weekdays before three. Really, Big Newport does live up to its name, boasting the biggest screen on the west coast with over 1200 seats, so, to be fair, unless you’re seeing a Star Wars Episode on opening night, you’re almost guaranteed a seat. Then there is the stadium theaters, which have comfy, high-backed seats that recline. No, not all stadium seating is created equal.

Also, if you do manage to see a movie at Big Newport at night, the grand light show of the complex adds to the premier-like feeling. It’s one of the few Edwards that is both lit up like Vegas and stands on its own; it is not part of a mall or shopping plaza. Yes, it’s at Fashion Island, but the island is waaay over there, so there’s no threat of mission creep, coming home with 10 Bloomingdale’s bags and no movie ticket stub.

To see a movie in the “Big Room” is to see a movie the way it was intended to be seen, with some real estate both up on the screen and in the theater. In this day of theaters that sometimes seem barely bigger than a Newport Coast mansion’s media room, it’s almost nostalgic.

Prices: Adult $9

 

Laguna Beach South Coast Twin

PCH at Broadway

3 stars

Three stars may be a bit kind for this aging theater with no parking and medium-sized screens, but the old girl seems to call up an odd mixture of sympathy and respect. Like an aging stage actress who props herself up, dons her makeup and refuses to let the show die. In fact, the Laguna theater was built as a stage theater in the 30s, and has since survived the transition from stage to movies, floodings, a dividing wall to create the “twin,” and the bankruptcy of the Edwards chain.

She was built to last.

Heralded as Laguna’s first steel-and-concrete structure, the Laguna Theater opened to great fanfare. The opening night program describes a “modern air-condition system” and “gas-fired furnace.” I can only guess what that must have been like, but I have a feeling it did not produce, as the program says, “air as fresh and pure as the ocean breeze, tempered to bodily comfort.”

Today, of course, this is true, as much as can be expected anyway. From 1985 to 1993, the Edwards chain invested heavily in renovations of the dilapidated theater, installing new seats with cup holders, a new projection system and new sound system. Some of the renovations, however, did not go over so well. The popular Edgar Payne murals on the walls were covered with drapes and the wall that divided the theater cut through the grand starburst light fixture that adorned the center of the ceiling. Today, half of the starburst resides in each theater.

Regardless, seeing a movie at the Laguna Twin is a pleasant experience. You don’t go in expecting plush stadium-style captain’s chairs and booming digital surround sound. All that fades behind a warm nostalgia that comes with sitting in the balcony section and looking to the far distance, where a screen that seems propped up on a stage takes light. You don’t go see a movie at the Laguna Twin, you go out to the movies. That is, if you can find parking.

Prices: Adult $8

 

The Lido

Via Lido at Newport Boulevard

3 1/2 stars

The Lido gets three stars for the same reason as the Laguna Twin, and an extra half star because it’s still just one big 600-seat movie house. But like its Laguna cousin, which is operated by the same company, Regency Theatres, the Lido has seen some tough times in the era of movie mega-plexes.

Appropriately, the Lido opened in the same year that saw the release of classics like Gone With the Wind and The Wizard of Oz, 1939. Built for $100,000, tickets back then were 25 cents for adults and a dime for kids. Boy, how times have changed.

First, the somewhat posh Via Lido Plaza now surrounds the theater, with the Regatta Café making a great after-movie cocktail experience. For its 50-year anniversary, in 1989, the Lido underwent a $250,000 renovation and more recently, after Edwards closed the theater and Regency reopened it, another facelift was completed.

But the charm of the Lido has remained intact. Its art deco décor, with the swirling underwater mural populated with sharks and set aglow under fluorescent black light, along with its 200-seat balcony (closed for a time), make for great pre-movie conversation. Make sure you wear white when attending a movie here.  Half the fun is your newfound glow-in-the-dark wardrobe, shirt to shoes.

Even its small circular box office, with room for only one attendant and standing free under the lighted marquee, is a call to the past. You won’t catch Spiderman here. More like Frida or Amelie. And though the Lido’s fate still seems a bit uncertain, you’ve just gotta believe that that old movie magic won’t let her – or her fans – down.

Prices: Adult $8.50. þ

 

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